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and
Umberto Eco was sufficiently impressed by Chi lavora è perduto to commission Brass to make these two 10-minute documentaries for the 1964 Milano Fair. Both utilized only archival footage, each shot only held on for only a few frames (a fraction of a second), and they were shown in twin pyramids whose interiors consisted entirely of mirrors. Upon entering, the audience were bombarded with images. We are offering a bounty for good video copies of these films. If you know where we can get them, write to us. Thanks! (The tail end of one of these films, Il tempo lavorativo, is excerpted in Brasss Monamour.)
FOR MORE INFORMATION, PLEASE SEE:
Anteprimaannozero, 30 May 2001
tamtam cinema: The Daily of Italian Cinema, 29 May 2001
Anteprimaannozero, 4 June 2001
DEAD LINKS THAT MIGHT COME BACK TO LIFE SOME DAY:
http://www.tamtamcinema.it/dossierStampa.asp?lang=ita&dossierID=84
http://www.anteprimaannozero.org/dett_film.html?num=101&gen=6
| Regia, soggetto, montaggio (direction, original story, editing) |
Tinto Brass |
| Collaborazione (assistant) | Franco [Kim] Arcalli |
| Musica (music) | dal Concerto eburneo di Igor Stravinsky |
| Produzione (producer) | Triennale di Milano |